Bach Bibliography Search Result - Ordered Chronologically

Author : Jerold, Beverly

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Jerold, Beverly:   Pedal Technique in Early Music. AmerOrganist(2) 34/10 (Oct 2000), 82-85
	2.	Jerold, Beverly:   Pitch in the Vocal Works of J. S. Bach. Bach 31/1 (2000), 74-95
	3.	Jerold, Beverly:   Organ tempo at the time of J.S. Bach. AmerOrganist(2) 36/ 7 (Jul 2002), 56-60
	4.	Jerold, Beverly:   Editorial Decisions for Ornaments in Bach's Works. Bach 33/2 (2002), 1-14
	5.	Jerold, Beverly:   Fasch and the Beginning of Modern Artistic Choral Singing. Bach 35/1 (2004), 61-86
	6.	Jerold, Beverly:   A Little More Muscle Please, Playing the Organ Before the 20th Century. AmerOrganist(2) 39/ 9 (Sep 2005), 105-108
	7.	Jerold, Beverly:   Bach's Lament about Leipzig's Professional Instrumentalists. Bach 36/1 (2005), 67-96
	8.	Jerold, Beverly:   [On Gertrud Schmeling Mara.] Bach 36/2 (2005), 120-122
	9.	Jerold, Beverly:   The tromba and corno in Bach's time. AdParnassum 6/12 (Oct 2008), 7-39
	10.	Jerold, Beverly:   'The 'most indispensable and most pleasing trill'' Consort 64 (2008), 90-101
	11.	Jerold, Beverly:   The French Time Devices Revisited. TijdschrMtheorie 15/3 (Nov 2010), 169-189
	12.	Jerold, Beverly:   The Bach-Scheibe Controversy: New Documentation. Bach 42/1 (2011), 1-45
	13.	Jerold, Beverly:   The varied reprise in 18th-century instrumental music: a reappraisal. MTimes 153/1921 (Winter 2012), 45-61
	14.	Jerold, Beverly:   Johann Philipp Kirnberger versus Friedrich Wilhelm Marpurg: A Reappraisal. TijdschrMtheorie 17/2 (2012), 91-108
	15.	Jerold, Beverly:   Johann Philipp Kirnberger and Authorship. Notes 69/4 (Jun 2013), 688-705
	16.	Jerold, Beverly:   Johann Philipp Kirnberger and the Bach Chorale Settings. Bach 45/1 (2014), 34-43
	17.	Jerold, Beverly:   Notes inégales: a definitive new parameter. EarlyM 42/2 (May 2014), 273-289
	18.	Jerold, Beverly:   The notable significance of C and ¢ in Bach's era. MTimes 155/1927 (Summer 2014), 85-96
	19.	Jerold, Beverly:   The complexities of early instrumentation: Winds and brass. (2015), xiii, 160p
	20.	Jerold, Beverly:   Fingering and pedalling in the Bach era. Organ 94/371 (Feb-Apr 2015), 8-17
	21.	Jerold, Beverly:   Quantz and Agricola: A Literary Collaboration. ActaMcol 88/2 (2016), 127-142
	22.	Jerold, Beverly:   Bach's lament about Leipzig's professional instrumentalists. [ce]Jerold (2016), 25-42
	23.	Jerold, Beverly:   Why most a cappella music could not have been sung unaccompanied. [ce]Jerold (2016), 53-62
	24.	Jerold, Beverly:   Fasch and the beginning of modern artistic choral singing. [ce]Jerold (2016), 63-80
	25.	Jerold, Beverly:   Intonation standards and equal temperament. [ce]Jerold (2016), 105-119
	26.	Jerold, Beverly:   Eighteenth-century stringed keyboard instruments from a performance perspective. [ce]Jerold (2016), 121-139
	27.	Jerold, Beverly:   The tromba and corno in Bach's time. [ce]Jerold (2016), 141-164
	28.	Jerold, Beverly:   The French time devices revisited. [ce]Jerold (2016), 193-214
	29.	Jerold, Beverly:   The notable significance of C and ¢ in Bach's era. [ce]Jerold (2016), 215-228
	30.	Jerold, Beverly:   Numbers and tempo, 1630–1800. [ce]Jerold (2016), 229-242
	31.	Jerold, Beverly:   Notes inégales: A definitive new parameter. [ce]Jerold (2016), 265-286
	32.	Jerold, Beverly:   Distinguishing between artificial and natural vibrato in premodern music. [ce]Jerold (2016), 287-298
	33.	Jerold, Beverly:   The varied reprise in eighteenth-century instrumental music: A reappraisal. [ce]Jerold (2016), 333-348
	34.	Jerold, Beverly:   Music performance issues, 1600–1900. [ce]Jerold (2016), xii, 348p
	35.	Jerold, Beverly:   Performance conditions, standards and Bach's chorus. MTimes 158/1941 (Winter 2017), 55-70